Arquivo da categoria: 'Photos'
09
07

Lana Del Rey performed at Glastonbury in Somerset, England on June 24th. Lana was 30 minutes late and was told she could go until they cut her microphone because there are sound curfews (Lana’s stage curfew was around midnight). This meant Lana’s set was cut short. When the microphone was cut, Lana sang ‘Video Games’ a cappella with the front crowd and spent some time with fans before heading home. Rob Grant could be seem amongst the security and Lana’s team. The full show can be watched on BBC iPlayer in the UK.

Did you attend? E-mail us your photos, videos and concert reports to be featured and credited!

SETLIST:
A&W (shortened)
Young & Beautiful
Bartender
The Grants (shortened)
Cherry
Pretty When You Cry
Ride
Born to Die (shortened)
Blue Jeans
Norman Fucking Rockwell (shortened)
Arcadia (shortened)
Candy Necklace
Ultraviolence
White Mustang
Video Games (mic cut off, a cappella with crowd)
Full concert audio

Performances > 2023 > Performing at Glastonbury in Somerset, England, UK (June 24)
x—31 pictures were added —x

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04
06

Lana Del Rey performed at MITA Festival at the Novo Anhangabaú in São Paulo, Brazil on June 3. This show had some technical difficulties, just like the Rio de Janeiro one. Lana sang Get Free and Cinnamon Girl which were audience requests. Unfortunately there is no video available of the full show, but you can check out the links in the setlist below.

Did you attend? E-mail us your photos, videos and concert reports to be featured and credited!

SETLIST:
A&W (shortened version) / Young & Beautiful
Bartender (technical difficulties)
The Grants / Flipside
Cherry
Pretty When You Cry
Ride
Born to Die
Blue Jeans
Norman Fucking Rockwell
Arcadia
Ultraviolence
White Mustang
Candy Necklace
Venice Bitch (shortened Taco Truck x VB version)
Diet Mountain Dew
Summertime Sadness
Get Free (audience request)
Did you know that there’s a tunnel under Ocean Blvd
Cinnamon Girl (audience request)
Video Games / [2]

Performances > 2023 > Performing at MITA Festival at the Novo Anhangabaú in São Paulo, Brazil (June 3)
x—13 pictures were added —x

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04
06
Arquivado em: Interview , News , Photos

GQ Magazine took Lana Del Rey and her boat enthusiast father, Rob Grant, sailing up the Hudson River in a classic leisure yacht to celebrate the upcoming release of Rob’s debut album, ‘Lost at Sea,’ out June 9. The pair were photographed by Caroline Tompkins and interviewed by Gabriella Paiella.

Photoshoots > 2023 > For GQ Magazine by Caroline Tompkins
x—3 pictures were added —x

At 69 years old, Grant is in the midst of promoting his debut album, Lost at Sea, which is out on June 9th. Whenever Grant would crash at his eldest daughter’s house in LA, he’d often find himself playing her old, out-of-tune piano. He wasn’t classically trained or anything, choosing instead to hit whatever notes instinctively flowed out of him. If his daughter heard a chord progression that clicked, she’d join him. Soon enough, they had a couple of songs between them.

“She’ll start singing and the songs will come together magically, but in a very beautiful, organic, intuitive way,” Grant tells me. “There’s no planning.”

“It’s so cool to create music with my daughter,” he adds. “Because we really are very simpatico.”

“Oh yeah,” his daughter chimes in, an ethereal sparkle in her voice. “I like what I like.”

His daughter, I should mention, happens to be Lana Del Rey. As in: internationally famous singer-songwriter Lana Del Rey.

Yes: Lana. She’s next to her father, both of them sipping sugar free Red Bulls. In her white Los Angeles 1984 sweatshirt, black skirt, and white sneakers, the high priestess of mystery and melancholy appears disorientingly normal. On this four-hour boat tour, she could be any millennial daughter good-naturedly spending the afternoon with her boomer dad, were she not, you know, Lana Del Rey.

Her presence is a slight surprise. A few days beforehand, Grant mentioned that his daughter might want to join. By the time we set sail, Lana, who flew in from LA to support her dad, is blasting Kodak Black on the speakers to set the mood. Later, she’ll step in to help stage daughter her father during the photo shoot, advising him on how to best angle his face. (“Maybe don’t smile, Dad.”)

With all the cultural discussion around the prevalence of nepo babies—children of celebrities who have a leg up, especially in the arts—Grant occupies a unique, singular role. He may be the world’s first, and perhaps only, nepo daddy. Papa Del Rey. And, hey, he’ll take it.

“The nepo daddy thing I love,” he says, having first encountered the concept in his Instagram comments. “I thought, My God, this would make really cool merch.”

“I mean, at that point, he was on his own, obviously,” Lana says with a laugh.

“I’m happy to be the first nepo daddy,” Grant says.

Click here to read the full interview at GQ.com

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28
05

On May 27, Lana Del Rey returned to the main stage after three years to perform at MITA Festival in Rio de Janeiro, Brazil. Lana performed a varied setlist, which included the live debuts of Flipside, Arcadia, The Grants, Candy Necklace, a shortened version of Venice Bitch x Ocean Blvd, and Did you know that there’s an ocean under Ocean Blvd.

It’s worth noting that the mic or monitor became unplugged causing some glitchy audio at the start of Lana’s performance which was fixed during a costume change. However, a remaining mic issue may have remained throughout the rest of the show.

Some songs from Lana’s setlist were cut because she was twenty minutes late. She mentioned to skip an interlude called ‘Bittersweet Anthem’ and her long, dramatic outro was cut for time also. Pretty When You Cry was cut from the televised recording. The full performance can be watched here, sans Pretty When You Cry which can be watched here.

Did you attend? E-mail us your photos, videos and concert reports to be featured and credited!

SETLIST:
A&W (shortened)
Young & Beautiful
Bartender
The Grants (live debut)
Flipside (live debut)
Cherry
Pretty When You Cry
Ride
Born to Die
Blue Jeans
Norman Fucking Rockwell
Arcadia (live debut)
Ultraviolence
White Mustang
Candy Necklace (live debut)
Venice Bitch (shortened Taco Truck x VB version)
Diet Mountain Dew
Summertime Sadness
Did you know that there’s a tunnel under Ocean Blvd (live debut)
Video Games

Tours > Norman Fucking Rockwell Tour (2019-2020) > Performing at MITA Festival at the Jockey Club in Rio de Janeiro, Brazil (May 27)
x—38 pictures were added —x




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28
05
Arquivado em: Candids , News , Photos

Lana Del Rey was spotted with her friends at Ipanema beach in Rio de Janeiro on May 26.

Candids > 2023 > At Ipanema beach in Rio de Janeiro, Brazil (May 26)
x—131 pictures were added —x

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27
05
Arquivado em: Candids , News , Photos

Yesterday, May 26, Lana Del Rey was spotted at Italian restaurant NINO Cucina in Rio de Janeiro, Brazil. Lana will perform today at MITA Festival. She will be onstage at approximately 12:20AM MAY 28 BST. There’s a livestream here. Click opção 1, may not work on your phone. If so try laptop/PC.

Candids > 2023 > At NINO Cucina in Rio de Janeiro, Brazil (May 26)
x—10 pictures were added —x

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26
05
Arquivado em: Candids , News , Photos

On May 16, Lana Del Rey was spotted by a fan at Moniso Boutique in Los Angeles. Lana was then seen on May 25 arriving at Galeão Airport in Rio de Janeiro, Brazil, and later dining with friends and family at Copacabana Palace Hotel. Lana will be performing at Rio de Janeiro’s MITA Festival.

Candids > 2023 > Spotted by a fan at Moniso in Los Angeles, California, USA (May 16)
x—1 picture was added —x

Candids > 2023 > Arriving at Galeão Airport in Rio de Janeiro, Brazil (May 25)
x—30 pictures were added —x

Candids > 2023 > Dining with friends and family at Copacabana Palace Hotel in Rio de Janeiro, Brazil (May 25)
x—17 pictures were added —x

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20
04
Arquivado em: Interview , News , Photos

In this year’s Culture issue, New York Times Style Magazine asked mid- and late-career artists and other creatives (the majority of them over 45) to identify a younger female artist who inspires them. It didn’t have to be someone they knew, or even someone in the same field or discipline, but it had to be someone they saw their younger selves in or who gave them a sense of hope. They were brought together, some their first meeting, for some photos and an interview about their relationships with ambition, legacy and mentorship. Legendary American folk singer-songwriter and activists Joan Baez chose Lana Del Rey.

The interview, which can be read below and also online here, is titled “Lana Del Rey Wanted to Sing With Joan Baez. But First, She’d Have to Find Her.” The singers talked about the audition that changed them both — and the “secret to real success.” The print edition will be available on Sunday, April 23.

Joan Baez: In 2019, Lana, whom I’d heard about from my granddaughter, Jasmine, invited me to sing with her in Berkeley. I said, “Why? Your audience could be my great-grandchildren.” And she said, “They don’t deserve you.”

Lana and I are sort of opposites. When I was starting out, I wouldn’t let anyone else onstage. I had two microphones — one for me, one for my guitar — and I stood barefoot, singing sad folk songs. I didn’t even write for the first 10 years, and she’s a songwriter.

I stopped singing three years ago; it was time to move on. After 60 years as a musician, I started painting. An artist friend said I need to loosen up and make mistakes so, if a painting isn’t working out, I dunk it twice in the swimming pool to see if it becomes something interesting. A hose will also do.

If people want to learn from me, I tell them to look beyond the music to my engagement with human and civil rights. My voice was what it was, but the real gift was using it. A documentary has just been made about me [“Joan Baez I Am a Noise,” 2023]. There’s footage of me marching with Dr. Martin Luther King Jr. in Grenada, Miss., in 1966. At another point in the film, I mention in a letter to my parents that I want to save the world. Lana doesn’t make such grand political statements — at Berkeley, she brought me out to do it for her. And yet, amid the colorful chaos and glitter of her show, she was at one point, I believe, barefoot.

Lana Del Rey: I was having a show at Berkeley three years ago and wanted Joan to sing “Diamonds & Rust” (1975) with me. She told me she lived an hour south of San Francisco, and that if I could not only find her but also sing the song’s high harmonies on the spot, she’d do it. I was given a vague map to get to a house distinguishable only by its color and the chickens running in the yard. At one point during my audition, she stopped me with a steely look to let me know I didn’t get it right. By the end, she said, “OK, that’s good. I’ll sing with you.”

Midway through the performance, I said to the audience, “I have someone coming onstage who is the most generous-of-spirit singer I know, and the most important female singer of the ’60s and ’70s, and we’re gonna do ‘Diamonds & Rust’ together.” After the show, we went to an Afro-Caribbean two-step club, and she told me not to stop dancing until she did. That’s what my song “Dance Till We Die” (2021) is about.

I think the secret to real success is to make sure you’re always emotionally intact. I learned that from Joan. I recently said to her, “I just want you to know that I’m keenly aware that, in this lifetime or any other, I have no right to be standing shoulder to shoulder with you.” And she replied, “Oh, shut up.”

Photoshoots > 2023 > For New York Times Style Magazine by Katy Grannan
x—3 pictures were added —x



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